Sunday, October 09, 2022
R.I.P. Nikki Finke
Sunday, September 18, 2022
Finding the Seam
The technique of letting a story develop
as you write it demands an array of unusual tactics. I thought it might be
interesting to dismantle a single scene to demonstrate the process. When I
wanted to do something similar for my graduation lecture at Vermont College, my
professor dismissed the idea with his usual blunt style: “No one cares how you
wrote your book. It’s not Anna Karenina.” Eight books later, this one won’t be much
competition for Tolstoy, either. But I still find the granular details of
narrative construction interesting
Without
giving too much away, I had a scene between a married couple in which the
husband was a crude, abusive bully. It worked very well, I checked the “first
scene between Jan and Hannah” box and moved on. But the hero of my story is on
a mission to rescue Hannah, and I needed him to encounter some difficulties en
route to her apartment. “The mission was accomplished without incident” might
be high praise in a military operation post-mortem, but it’s terrible for a
story. I badly needed an incident or two. How about this? A couple has mounted
their own escape and my hero, in military garb, is swept into the hunt for them
… derailing his own plan and its meticulous timing. Two escapes, unconnected,
seemed plausible but unsatisfying. What if Jan had helped them? But Hannah is
part of the organization behind these exploits, and the big fight in their
kitchen which opens the chapter is all about Jan demanding that Hannah stop her
high-risk activities. Why would he do that if he was also involved? Bad idea,
forget it. Still, the contradiction kept scratching at the door like a cat
locked out of the bedroom. What if…? No. Or --? Naaa, stupid idea. I felt like
I had a whole TV writer’s room in my head, staring at the white board, eating
cold Chinese take out and trying the break the story. But of course, it was all
just me, as usual.
So,
how about this -- Jan got sucked into the fervor of the cause, somehow? But
why? Just being around his wife’s fanatical dedication could have infected him
almost against his will … only a partial explanation, but at least it makes the
action seem possible. But that’s not enough. So pile on a little: the woman was
the love of Jan’s life, until she dumped him – for his best friend, the
husband. Still not quite sufficient, but it was enough to let me move forward.
“Moving
forward” meant re-writing the kitchen argument to reveal these new facts … and
set up enough details for my hero to grasp at least part of the situation when
he encounters the couple hiding in an alley and helps them get away. Belatedly,
I realized that the twist in the story, when Jan follows Hannah and my hero,
winds up saving them both and sacrificing himself, was simply not supported by
the evidence in the scene I had written. We saw nothing in Jan with that first
draft that would make us believe he had the potential for such a noble gesture.
That was why my conscious mind kept pushing and poking at the narrative: the unconscious
mind was saying: do more. Give me more. Maybe I just found the one-dimensional
thug boring. That was certainly part of it – but just a part. Anyway, I certainly
had my marching orders.
In
these situations, you can just start from scratch with a whole new scene, but I
wanted to keep the anger I had started with. I wanted it both ways. That meant
finding a seam in the argument that I could pry open to accommodate my new
dialogue.
But
first I had to write the dialogue.
Here’s
the critical section of the scene, as it stood this morning
Jan knew how to take care of himself.
He made sure to join the Żydowska
Służba Porządkowa working with the Judenrat. But that meant Hannah’s war
was over. Jan made that very clear after a brief clandestine visit from Fredka
Oxenhendler, bringing precious guns and bullets through a secret tunnel beneath
the cemetery wall.
That was the first time that Jan had
beaten her. He took the contraband weapons and ammunition, turned them over to
the SS and received a promotion in return. He couldn’t tell Obergrppenfuhrer
Kellzen how the ZOB had penetrated the ghetto because Hannah wouldn’t tell him,
and he couldn’t turn her in, however his feelings for her might have soured,
because she was carrying his baby, and the baby might be a boy: checkmate.
Or at least stalemate.
Jan slurped the last of the thin soup
and Hannah weighed the various options: frying pan to the head? Knife to the
throat? Some simple poison? There would have to be something she could use at
the hospital in Cyzste, if she could steal it, if there were any supplies left
on the shelves, if Dr. Zielinski would help her, if was even still alive. What
else? She could strangle him with clothesline – was she strong enough for that?
She wouldn’t get two chances. If only she still had one of those lovely
Mausers. Fredka had asked, one sardonic eyebrow lifted, “Could you really pull
the trigger, Darling?”
“I know where you’ve been tonight,” Jan
said suddenly, as if he was answering her, as if they were in the middle of the
argument already. It must have raging in his head since she got home.
“Smuggling potatoes into the Ghetto, putting our lives at risk for nothing.”
He lurched out of his chair, took two
steps to the counter by the sink where Hannah had filled a cracked china bowl
with two dozen of the lovely small kartofla wiosennas, her favorites, from the
evening’s haul. He grabbed a handful of them and threw them at her. One struck
her forehead. “And you bring the evidence home! How are you going to explain
these, if there’s a raid?”
She reached up to touch her forehead.
It would bruise soon. “I thought we could eat them, Jan. Then the Schutzstaffel
pigs could investigate our toilet for the evidence.”
“So, this is a joke to you?”
“It’s a mitzvah. I know you love those
pickle potatoes.”
“We don’t need your dirty loot, your
nielegalne zyski! I get all the food we need.”
“I thought you’d be happy.”
“Happy to die for your arrogance and
vanity? So you can pose and strut for your radical friends? Look at me! The
future mother of the Erez Israel kibbutzim, Queen of the underground freedom
fighters! You child! You truant little girl, skipping school on Dzien Wagarowicza!
Getting me shot in the head so some toothless grandmother can eat her placki
ziemniaczane! You make me sick.”
She shook her head. “You understand
nothing.”
Tactical blunder: silence was always
best. Now her tone of tired contempt ignited his rage again and he bounded
across the room at her, shoving the table aside. The empty soup bowl shattered
on the floor, their last decent bowl. He jammed her against the cabinets, hands
at her throat.
Could I pull the trigger, Fredka?
Just watch me.
“You were forbidden to do more
smuggling! I forbade you to do that! You disobeyed me! You lied. You lied to
me, you dirty little klafte.”
She couldn’t breathe. “Jan --Jan,
please … the baby …”
He seemed to come to his senses. He released her,
stumbled backward. “The baby. Always the baby. That’s your secret weapon. I’m going out. I need a drink. Tadeusz has
some good vodka.
And I smuggled it across the wall for
him, you fucking chazer! she almost shouted after him. But it was better to let
the chazer go.
Choose silence for once, Hannah -- before
it’s too late.
Six hundred and sixty-six words; and
somewhere in that passage, a seam I could open up to insert the dialogue that
would shift and deepen the story. It was only in the actual writing of the new
dialogue that the final piece of the puzzle fitted itself into place. I was
flying improvising … and I stopped short. Had I gone too far? The revelation
scared me, but the best ideas always have that element of risk and the flinch
you feel is virtually a guarantee that you’ve found something good. The insert
slipped easily into the seam I found,
neatly sealed at both sides, beginning an end, highlighted in boldface:
She couldn’t breathe. “Jan --Jan,
please … the baby …”
He seemed to come to his senses. He
released her, stumbled backward. “The baby. Always the baby. That’s your secret
weapon.
“I’m not Mala.”
“Don’t say her name.”
“You can’t stop me. Mala. Mala, Mala,
Mala. I’ll say it as much as I want.”
“We are not speaking of Mala tonight.
“Yes we are! Of course we are! That’s
all we speak of, even when we’re speaking of the weather.”
“That’s the past, Hannah. Can’t you let
it be the past?”
“Answer that one for yourself.”
“Every honest word I have ever uttered in your
presence I regret.”
“Jan -- ”
“I should have taken a vow of silence. My father told
me. ‘Lock your heart. Leave that door open and the thieves will steal
everything from you’. I should have listened.”
“I’m no thief. And your father was a drunk. A bitter,
mean-spirited drunk.”
“How dare you --”
“It’s true and everyone knows it. But you’re
different, Jan. You’re not that way. You helped Aaron and Mala.”
“Because of you! All your wild talk. I started to
believe it, God help me.”
“That’s not why.”
“No? You tell me why, then.”
There was no going back. “Mala is pregnant. And the
child is yours.”
He gaped at her. “No one knows that! How could you
know that?”
“I didn’t. But I do now.”
Silence dropped over them like a blanket on a rat –
the smothering darkness and the stillness of panic. She could hear Jan’s
breath, and a rattle of coughing from the back room. Starving dogs, streets away,
barked and howled, fighting over something dead.
“Got in Himmel,” Jan said finally. “How did we wind
up here?”
“Fredka will help them.”
“If she can. If they even get that far. Probably they
will both be dead before morning. Anyway, we’ll never see them again.”
“Until we meet in Shamayim.”
“Shamayim! Your optimism is poison to me. Poison! We
are all doomed. We are going to hell. And your cheerful brainless chirping just
makes everything a thousand times worse. You make me sick. I’m going out. I
need a drink. Tadeusz has some good vodka.”
And that’s where the scene stands today, all finished
… until I have to go back and change it again.
Sunday, May 15, 2022
The Freemasonry of the Brush
Sitting, sipping coffee and reading a book, in a warm house
with a cold, sun-sharp windy April afternoon blowing and glaring outside, with
nowhere I need to go and nothing I need to do, feeling truly at home for the
first time in years. Not visiting, not commuting, not counting down the days
until the next slog up 95 and the long groaning churn of the ferry ride across
Nantucket Sound, but simply living, secure and settled. Back to work again on
Monday, after the long Easter weekend, but that’s fine. It’s work I know and
even enjoy. The ease with which I slipped into this new painting crew, side by
side with the gang of tough old carpenters, surprised me a little. I always
knew that painting houses was a trade I could take up anywhere, but this is
more than a job. The building trades have their own lively Freemasonry, and
it’s as effortless to talk about favorite brushes(we all favor Wooster) and
despised “luxury” paint brands (I’m looking at you, Farrow & Ball) as it
was to chat about point-of-view or image patterning with a friendly stranger in
an MFA dining hall.
The world of the construction site is so familiar, with the
universal tang of sawdust, the tangled snakes of power cords, the grinding saws,
and the bad music, that it hardly seems like you’ve come to a new place at all.
Even the characters remain the same: the seldom-seen but exigent GC; the
strutting and hilariously self-important architect, the demanding but oblivious owners; the same
fuck-ups and epic stories of fuck-ups past. There’s the inevitable cabinet
maker with OCD, the painter with the drinking problem, the landscaper waiting
for his green card. We all understand each other, we’ve all been there and
we’re all still here. I feel like I could join a crew in Athens or Tokyo or
Helsinki and it would be the same. It’s a fraternity and you have to earn your
place in it. The quiet look of approval the first time you cut a ceiling or
glaze a window tells you what you most want to know – not that you can do the
job, but that you’re welcome to the club. You’ve already paid the dues, in
spilled paint and broken panes of antique glass, in the twenty-hour weekends
ahead of the furniture or the floor guys, in the all-nighters under the
halogens to get that final check before Christmas.
It’s nothing special – just another day on the job. We’re
all in it for the long haul, picking up where we left off, stripping it off to
put it back on, finishing the job, and starting the next one. It’s a living,
and surprisingly, I realize after more than thirty years, it’s a life.
Saturday, May 14, 2022
The Character Connundrum
Scrolling through TikTok’s array of writing experts, and trying to absorb their tips about character development, I’ve become increasingly baffled. Their advice bears no relation to my own experience. I’ve never used a white board or a flow chart, never listed personality traits or ginned up a biography, complete with childhood traumas. In fact, I believe that real writers have all their characters already inside them, fully formed but inert. The act of writing brings them alive and leads them out of the shadows, with no analytical thinking and technical trickery required. You just need to trust your unconscious mind, which does most of the heavy lifting, anyway.
All my favorite
characters have ambushed me, wrenching the narrative into a new direction which
turned out to be the inevitable way the story was meant to unfold from the
beginning. Who knew? Not me. A runaway 16-year-old boy named Rickey Muller
upended my new thriller “White Crow” … and
then somehow became the crucial centerpiece of the plot and the novel’s moral compass.
I fought it for a while, but finally I
was smart enough to give in. His traits, his biography, his “character arc”?
Those I discovered in the course of the book, just as the reader will. Rickey
led the way; I just paid attention. This somewhat nerve-wracking renunciation
of control made the book more fresh and lively, with an improvisational edge
that I would have been hard-pressed to construct by will power and conscious thought.
The stigma of mechanical engineering, the smell of engine oil and metal
shavings, rises from that mass of online instruction -- all those computer
programs and structural guidelines, all those tricks and gimmicks and hacks.
Forget about them. Your characters are all inside you. Just let them out -- and
let them take over.
You’ll be glad you did
Saturday, January 15, 2022
Nantucket Plunder, A Henry Kennis short story
Mike
Henderson was in trouble again.
His brushes with the law had never
amounted to much – in fact they had become a small private joke between us. The
time he managed to give himself the best possible motive and no alibi for the
most notorious murder in the island’s history, or the time he was seen walking
away from a murder scene with what looked like blood all over his hands. He was
cleared both times – coincidence and paint.
But
this was different. This was serious.
Five customers
had filed theft reports on houses where Mike had been working over the winter.
They’d arrived for the summer season, opened their houses and found things
missing. The five lists together made an impressive inventory: Tiffany silver,
Reyes lightship baskets, a stash of Kruggerands. And there was a startling
amount of original art gone missing: Rauschenberg collages, Jim Dine hearts,
Hockney swimming pools, along with several pieces of Stickley furniture and
collections of Staffordshire dogs and Rookwood pottery.
“This
is no smash and grab break in artist,” Haden Krakauer said after I finished
going through the missing property lists. My assistant chief was shrewd and
cynical and he knew the island much better than me. He grew up on Nantucket and
knew everyone and their families and their family scandals going back three
generations. “This is a connoisseur. These robberies were curated.”
“So
ignore the usual suspects?”
“Well
…”
Neither
of us wanted to be accused of profiling but the fact remained that most of the
house robberies on the island were committed either by drunk high school kids
who had the alarm codes or by desperate immigrants trying to keep up with the
rent, the food prices or a shiny new all-American opioid addiction. It could be
a landscaper from Jamaica, a mason’s apprentice from Ecuador, a bus boy from
Belarus – single or married, with kids or without. But those thefts all had a
common accent, a familiar grammar -- like English spoken badly. Those thieves
stole bling and electronics – Apple Watches and X-box systems, flat screens and
costume jewelry. Lots of fake diamond rings and pearl necklaces along with the
occasional valuable item, because they didn’t know the difference.
This
guy knew the difference. This was an educated, discerning thief who had access
to the most well-guarded and expensively alarmed houses on the island. Which
narrowed things down drastically – that was what Haden meant.
“I
need the next list,” I told him. “The list with the names of everyone who
worked on those houses over the winter. Put Kyle Donnelly on it.”
It
took Kyle a few days, leveraging a lifetime of island contacts to pry
information out of the close-knit community of builders and contractors. My
friend Pat Folger had put up a guest cottage for one of the burglary victims;
Billy Delavane had built the custom staircase. Kyle got a list of all Folger’s
subs -- from electricians and plumbers to plasterers and painters. The other houses had no large-scale projects
going on through the winter months, but Kyle contacted the owners, and through
them he found the caretakers, and the caretakers gave him lists. Some owed him
favors (a warning instead of a DUI), some had been pals with his grandfather.
Some accepted the standard bribe: a Bud Lite 18 pack.
When
the roll call was complete, Kyle surprised me by taking the next step. I’d been
teaching him for five years; he was finally starting to learn something. Baby
steps – simple procedure. But I made sure to give him what my old boss in L.A.
used to all an “attaboy” when he laid the five long lists -- and the one short
list -- my desk the next Monday morning.
He
had done the cross referencing. Only three people had worked in all the burglarized
houses in the off-season. Arturo Maturo, the plumber, Tom Danziger, the
electrician – and Mike Henderson, the painter. They had all worked on the Lomax
house a few years back and had all been suspects, briefly. They all had other
secrets they were reluctant to share and by the end of the investigation I felt
more like a parish priest than a police officer. I gave them the only
absolution I could – I let them go with a thank you and an apology.
But
now they were all on the blotter again.
I
cleared the first two quickly. Maturo had been draining the pipes after one of the
families came up for Christmas and kids had come up in March to grab some
summer clothes. Their selfies showed most of the loot in the background. That
let Maturo off the hook.
Danziger had done extensive re-wiring
in two of the houses, and the inspector remembered various stolen objects still
in place when came over to sign off on the work.
None of that cleared them of every
house on the list, but we were assuming one thief and one modus operandi for
all the crimes. Beyond that, Danziger and Maturo were unlikely suspects.
Plumbers and Electricians ruled as blue collar royalty on Nantucket. They had
no need for petty theft to augment their incomes and no reason to jeopardize their
standing in the hierarchy of the building trades by stealing from their
customers. At around two hundred bucks
an hour, most people thought they were stealing anyway.
That left Mike Henderson.
As usual, he had no alibi. All the
circumstantial evidence was against him. He had worked in all the houses,
mostly alone. He had often remarked that painting was a socially sanctioned
form of trespassing, and more than one client had fired him, accusing him of
that very crime. He was always broke, scrounging a living from job to job, so
he was motivated to pick up a few extra dollars by theft. He charged according
to the model of car he found in the garage and felt no compunction about
gouging the wealthy. So why not help himself to the odd silver tea pot or lightship
basket?
But was angry and baffled when I
brought him in for questioning. It’s hard to fake that level of outrage.
“Check my bank account! See if you
can find all this money I’m supposed to be stealing. I hope you do find it! I
could use it. We’re a month behind on our mortgage payments right now.”
I pushed against the edge of my desk,
rolled my chair back a few inches. We were talking in my office, much to Haden
Krakauer’s dismay. He liked doing things by the book. As far as my Assistant
Chief was concerned, Mike was a suspect in a string of B&E felonies, and
ought to be treated that way. I wasn’t so sure. I hadn’t arrested Mike, and I
didn’t want to Mirandize him. I wanted to talk, but I wasn’t going to shove him
into an interrogation room like a common criminal.
At least not yet. “Your bank account
is the last place I’d expect you to stash stolen money, Mike. You told me
yourself – small-time house-painters are the last stalwarts of the cash
economy.”
“Thanks a lot.”
“You don’t work for big contractors.
You don’t carry Workmen’s Comp. Not since the Lomax job. You don’t have big
crew anymore, either -- or a big payroll to meet. When you need a 40-foot
ladder, or someone you trust to roll a ceiling, you ask your friends. Right?”
“Right.”
“It’s a collective. You all fly under
the radar and you all prefer cash payments, rolls of hundreds –“
“Nantucket Sawbucks.”
“Exactly.”
“Some people call them Nantucket
tens, but that sounds like a political movement.”
“Maybe you are a political movement.
Guerilla painting – steal from the rich and give to the poor. Which would be
you, I assume. Unless you’re also donating to the Food Bank.”
“I can’t afford to donate to anyone!
It’s like my dad used to say – I have to take out a loan to pay attention.”
“And yet your wife is driving a brand
new Jeep Grand Cherokee.”
“That was a gift. From her father.”
“And you can prove that.”
“Do I have to?”
“You might.”
“So you can just … audit my whole
life over some random accusation?”
I shrugged. “It’s one way to prove
you’re innocent.”
“When we asked Cindy’s dad to help us
pay for Montessori school, it was just like this. ‘Should you really be going
out to dinner in your financial situation?’ ‘That sounds like quite the
expensive vacation for a fellow in your straightened circumstances.’”
“So what did you do?”
“I told him to take his money and go fuck
himself, and I put the kids in public school.”
“Good for you.”
“That wouldn’t really work in this
case.”
“No, but I’ll tell you something,
Mike. I’m going to stick the foundational assumption of American jurisprudence
-- that you’re innocent until proved guilty. Still, someone’s been stealing
stuff out of the houses you work on.”
“So … what are you going to do?”
I gave him my best encouraging smile.
“Catch them.”
Unfortunately, I had another criminal
matter to deal with that day, one much closer to home. It had begun the week
before, with Jane Stiles’ yard sale. Rain had forced the event inside and we
spent the morning hastily arranging antique furniture, glassware, rugs and
runners and a rack of vintage women’s dresses in the cramped confines of her
cottage.
Otherwise the sale was normal:
advertised for ten o’clock, with the first early birds showing up at eight,
helping themselves to a Downeyflake donut from the traditional box of a dozen
Jane always set out for the shoppers.
The usual crowd appeared by the
formal start of the sale – long-time customers (Jane’s family ran a legendary
consignment store back in the day), old friends and the small tribe of local hoarders
and collectors, along with the occasional tourist.
The scroungers were a diverse group –
from High School history teacher Roy Danvers to Sam Trikilis, my garbage man;
from landscapers and masons to Sheriff Bob Bulmer and a dot com millionaire who
had just bought the giant house next door. The music from his parties on those
early summer nights made Jane feel like Nick Carraway in The Great Gatsby.
The kids all pitched in, Caroline
talking up the merchandise and horse-trading the prices, Tim manning the cash
box. Jane’s son Sam helped carry the smaller items to the cars. The sale went
well and the rain let up in the early afternoon, with a fresh south wind
tearing the clouds apart, revealing ragged patches of blue sky. In accordance
with another long-standing Stiles family tradition, we skimmed some of the cash
proceeds and treated ourselves to dinner for five at the Sconset café.
That was Sunday night. Tuesday morning
Jane noticed that her fore-edge books were missing. She hadn’t included them in
the sale and never would. They had belonged to her grandfather and she had
inherited them after a scuffle with her sister, who had taken the five volumes
from the old man’s house the day he died, along with a Matisse screen and
various other valuables. Fortunately the will specified that Jane got the
books, and she managed to recover them. Her sister already had them packaged up
and ready to auction off on e-Bay.
I had never seen a fore-edge book
before and neither had my kids. They’re the perfect artifact for a detective,
because the art they feature – in the case of Jane’s books, paintings of
various Nantucket landmarks – is hidden. The images only appear on the outside
edge of the pages when you fan the book open. With the book closed, there’s no
way to know the pictures exist.
It’s a book! It’s a toy! Tim seemed
particularly fascinated with the trick, as well as the subject matter, Many of
the featured destinations no longer existed – the black Washing Pond water
tower, the old Straight Wharf theater. He even said he’d love to buy one if he only
had the money and Jane was willing to part with it. I think she found his enthusiasm
touching.
But then, on Tuesday, she saw him
riding away from her cottage on his bike with his school backpack bulging.
And the books were gone.
It may seem like an open-and-shut
case from this brief description: Tim had motive and opportunity. But Jane was
mostly living with me that summer, and only used the cottage for a writing
studio. Most of the time the place was deserted and she’d never even owned a
key to the front door. Anyone who’d been snooping around at the sale could have
come back for what my old boss in L.A., Chuck Obremski, used to call a
“five-finger discount”. Everyone there had a motive, and anyone who took the
time to study Jane’s routines had an opportunity.
But Tim was the only one Jane saw at
the scene of the crime.
“I hate to even bring this up,” she
said that night after dinner. We had strolled into town and were walking along
Easy Street. She sat down on one of the benches facing the harbor.
“Tell me,” I said.
So she did.
We sat in silence for a while.
“You know he didn’t do it,” I said
finally.
“I hope he didn’t. But he was out
there by himself the day after the sale. What was he doing there?”
“I don’t know.”
“You’re going to have to ask him.”
“Yeah.” Then after a few moments:
“How would it work in one of your books?”
She relaxed a little, reached out a
hand to let a passing Labradoodle take a sniff. She had time for one quick
ruffle behind the ears before the owner, a slim blond in a yoga outfit, yanked
him away. Jane squinted in thought. “You’d need parts of all five books to
crack a code. Or maybe they’d be clues to some kind of crazy scavenger hunt.”
“How about someone just taking them
and selling them to collectors?”
“Naaa. Too boring.”
“But this is the real world, and
they’re worth a lot of money.”
“I guess.”
“Tim doesn’t need money. He’s a kid.
He gets an allowance.”
“Unless he’s on drugs. Or something.”
“But he’s not. I know the signs. And
so do you.”
She nodded. We sat for a while more.
An artist started setting up to paint the view. “You still need to talk to
him,” she said.
I shrugged. “Interrogations are my
specialty.”
“Innocent until proven guilty,” Mike
Henderson said, the next day, riding shotgun i9n my cruiser. “Not too many
people really believe that. In America it’s more like you’re guilty even after
you’re proved innocent – like O.J. Simpson, or that car guy. DeLorean. He was
acquitted, too. But everybody knows he sold coke to finance his car company.”
“You’re a cynical man, Mike,” I said.
“Which makes me normal. And you’re
not cynical at all – which makes you kind of a freak, to be honest. But in a good way.”
“Especially right now.”
I was investigating the burglarized
job sites, talking to the families. I had Mike with me because I wanted his
painter’s eye on the crime scenes, and I was curious to see how he’d react to
the victims. More importantly, I wanted them to see Mike on good terms wioth the Chief, and cooperating
with law enforcement.
Nothing we had found out so far made
his case look any better. Two houses had surveillance cameras working
year-round, and both had been crudely disabled. One had a piece of the burlap
landscapers used to wrap shrubs against the cold blocking it. Hungry deer
chewed through the burlap sometimes, and the wind could have blown a scrap
against the lens. But this piece of fabric was cut cleanly, with a knife – like
the Swiss Army knife that Mike always carried. The other house was even more
damning. What looked like bird droppings obscuring the camera lens turned out
to be paint – the very paint Mike had been using on the job.
The victims didn’t share my quaint
beliefs about innocence and guilt any more than Mike did. They weren’t pleased
to see him, but they had to pretend to welcome me. At least I got detailed
inventories of the missing items. “My belongings,”
one of the women moaned to me.
“A Stickley table, two Tiffany lamps,
a first edition of the 1930 Random House Moby Dick with the Rockwell Kent
illustrations. You have quite an eye, buddy,” he said to Mike.
“Someone does.”
I sighed. “It’s hard to hate a
criminal who loves Rockwell Kent.”
“He doesn’t love Rockwell Kent! He
knows he can get a couple of grand for the book. He’s probably sold it
already.”
Cynic.
We caught a break on the last house
Mike had painted. A hulking pile on Medouwe Creek road in Polpis, Mike still
had the keys and the alarm codes. The family wasn’t going to arrive for another
week. As usual they had threatened to be on island by Memorial Day to crack the
whip on the tradesmen, but weren’t actually due until the Fourth of July. “They
think we work because we’re afraid of them,” Mike said. “Actually we work
because we want to get paid. False panic is not required.”
It was a perfect late June day, the
island lush and green after a rainy spring, the sky a flawless blue. Even the
humidity had broken. We approached the silent house over the perfectly
manicured lawn and Mike said, “This is what they pay the million dollars for. A
day like this. But look --” he pointed to the small squat city of air
conditioning condensers buzzing at the side of the house. “The most delicious
sea breeze in America and they never even open their windows. That’s the new
money around here in a nutshell.”
“An impeccably climate controlled
nutshell,” I added.
“Exactly. Well, here we are.”
He let us in, and poked the alarm
code into the pad by the front door.
“Did you notice anything missing?” I
asked as we walked in the hotel lobby chill of the foyer.
He shrugged. “I really don’t pay that
much attention.”
“Not a great slogan for a house
painter.”
“Come on, Chief! I notice a bad cut
in, okay? I’m the king of latex touch up. But I’m not casing the joint when I’m
supposed to be stripping the trim.”
I looked around the massive “great
room” with its thirty foot ceiling and wall of fifteen light French doors. “So
you’re finished here.”
“Yeah. We packed up yesterday.”
“But the cleaning people haven’t
started.”
“I think they come in tomorrow.”
“Well, that’s a plus.”
I found the stain ten minutes later.
I saw it as an irregularity in the pattern of a woven cotton area rug, sticking
out from the hem of the cloth draping an end table. I was on my knees sniffing
it when Mike walked up behind me.
“Did you spill coffee here?” I said,
moving the table aside. The lamp teetered and Mike reached out to steady it.
“No.”
“You’re sure?”
“No coffee on the job. That’s one of
my rules. People leave the cups around, or knock them over. It looks bad –
unprofessional. Most of my customers don’t even let their kids eat anywhere but
the kitchen. They’re neat freaks. You have to respect that.”
I nodded. “Well someone spilled
hazelnut coffee here. Take a sniff.”
He got down, put his nose to the rug.
Standing, he said, “Yeah. And it’s fresh. Maybe a couple of days old, tops.”
I pointed down to the wedge of carpet
between the couch and the end table.
“Crumbs,” he said.
I smiled. “A trail of bread crumbs.
Just a like a fairy tale.”
He bent down, picked one up on a
moistened finger tip, touched it to his tongue. “But this was a cookie.”
We moved the table aside and found a
small triangular wedge hidden under the skirt of the couch. I pulled on a latex
glove, took an evidence bag and a pair of tweezers from my pocket and dropped
the cookie chunk inside. “Now we figure out where this came from and who
ordered it with a hazelnut coffee.”
Mike shook his head in amused
disgust. “And learn what kind of lazy pig brings treats and coffee to his own
crime scene.”
“And spills the coffee and laughs
because he knows they’ll blame it on the painter.”
“Story of my life.”
The next part was easy. Michelle at
Fast Forward – we’d been friends since I gave her a copy of The House at Pooh Corner to exorcise the
Disney demons from her daughter’s mind – identified my evidence instantly.
She took it on her tongue for a few
seconds, wincing at where it had been, then spit it out onto a napkin and gave
it back. “That’s one of Dany’s health cookies. No dairy, no eggs, no sugar. She
makes them with tahini. They’re totally unique.”
“So … does anyone order hazelnut
coffee and one of these?”
She thought for a minute or two while
she poured a few cups of coffee for nervous customers. I was wearing my uniform
and everyone was feeling guilty about something.
Michelle made change for someone and
turned to the other girl behind the counter. “Angie? Can you think of anyone?”
“Just Bob Bulmer. The Sheriff? But he
drinks decaf. Does it matter if it’s decaf?”
“Not really.”
“Is he in trouble?” Michelle asked.
“No, no. Though you have to wonder
about someone who drinks hazelnut decaf.”
“Now what?” Mike asked me later as I
drove him back to his job site.
I looked up at the imposing
three-story shingled pile, dormers lined up on the steep roof, presided over by
the freshly painted widow’s walk. “Now we stake out this place -- and catch him
in the act.”
But we were too late. Mike had been
working downstairs and hadn’t ventured into the finished bedrooms for weeks. A
quick walk-though the second floor told the tale like a tour guide: picture
hooks where paintings had hung, end tables with circles in the dust, dents in
the carpet where an antique dresser had stood.
Mike looked like he was about to cry.
“If we don’t find this stuff before the Binghams show up … Jesus. Someone hates
me.”
“Someone’s stalking you,” I said.
“What?”
“It’s the only way they could get in
to these houses. You unlock the doors. You disable the alarms.”
“Yeah. But I’m always – oh shit.”
“What?”
“I drive into town for lunch, or to
pick up some supplies from Marine, and sometimes I – it’s a hassle locking up
and setting the alarms if I’m only going to be gone for half an hour. And also
… they monitor the systems. I don’t want my customers knowing when I’m gone or
how long I take for lunch. It’s none of their business.”
“And who’s going to know? Or notice?”
“Exactly! This isn’t inner-city
Detroit. What is a burglar supposed to do? Try every mansion and hope for an
unlocked on and then try every unlocked one for a disconnected alarm?”
“No, Mike. He’s supposed to choose a
house painter, track his movements and use the time, however long it is, when
he leaves the house open, to do the burglaries. Then the burglar just waits.
The homeowners come back in the summer and the painter gets the blame. If he
really does hate you, it’s a win-win.”
“So this is about the Bradley?”
Bulmer had pushed a warrant through
Town Meeting the year before. He wanted the town to buy him a U.S Army surplus
Bradley Fighting Vehicle. Some prominent citizens took his side in the debate
including Jonathan Pell, the new CEO of Logran Corporation and a consortium of
real estate brokers who were concerned about property values.
But you have to see a Bradley to
realize how crazy this idea was. It’s a small tank, perfect for enforcing
Martial Law in a conquered city – a deranged and surreal choice for Nantucket.
Mike had said some harsh things about
Bulmer – calling him a would-be tin-pot dictator and a fascist blowhard. David
Trezize ran Mike’s guest editorial in the Nantucket
Shoals, and the link on the little newspaper’s website had been shared more
than a thousand times.
The Bradley was voted down by
acclamation.
A bad defeat; and Bulmer was famous
for his grudges. That sounded like a motive to me. And as Sheriff, Bulmer’s
main job was driving around – mostly he delivered summonses. He had plenty of
free time for surveillance.
But some wild conjectures, a coffee
stain and a handful of cookie crumbs weren’t enough to arrest him for.
And I had another suspect to deal
with.
The next day I took Tim to Something
Natural. We got a pair of lobster salad sandwiches, some Matt Fee tea and a
couple of bags of chips. We drove out to the new standpipe on Washing Pond
Road. The gate was open and we cruised past the giant white metal water tank to
the grassy verge that overlooked the jumble of houses that edged the western
moors. I explained the situation while we ate. The strong south wind nudged my
cruiser.
“I didn’t take those books,” he said.
“I swear. Where would I even put them? Someone would see them. Carrie would
tell on me.”
I nodded, finished my iced tea. “So
what were you doing out there?”
“Nothing.”
“Come on. That’s a long bike ride for
nothing.”
“Dad!”
“Tell me.”
“It’s private.”
He stared away, out the car window,
following a red-tailed hawk as it circled the valley. I was going to have to
put this one together myself. Jane had seen him at the bookshelf. The comment
about the fore-edge book, must have been a hasty improvisation to cover
whatever it was he was really doing there. The sudden interest in antique end
paper watercolors had struck me as a little odd anyway. I had studied Jane’s
library myself and there was no adolescent contraband there, nothing racy
beyond a copy of Lolita. But Jane
kept some photographs her ex-husband had taken off her, the only ones where she
had ever looked good, or so she said. She was planning to crop one of them for
a new dust-jacket portrait. “The whole picture might sell more copies,” she had
joked when she showed it to me. She was topless, coming out of the water at
Pickle beach, our informal nude bathing strand. And Jane was right – she looked
great in the photo - -sea nymph, slim and girlish, perfect fodder for a seventh
grade crush.
Tim would never admit to finding that
picture and I would never force him to. I needed a new tactic.
“Okay,” I said. “I have to tell Jane
something, so let’s think of a reason you might have been out there. Not the
real reason – whatever it was. That’s none of my business. As long as you
didn’t actually steal anything.”
“Are you kidding? I would never do
that.”
I keyed the car and started backing
up. “Here’s a lesson from the adult world. If you’re suspected of something,
confess to something else. Something not as bad but maybe … a little
embarrassing?”
“Like what?”
“Well … Jane has a collection of
vintage Barbies at the cottage. Maybe you were playing with them.”
“But those are girls’ toys!”
“Exactly. So you wouldn’t
automatically admit it, the initial denial is explained … and no one ever
thinks about whatever it was you were really looking at.”
He thought about this as we turned
off Washing Pond Road and headed back into town. “You’re sneaky,” he said.
“But for a good cause.”
“Barbies? Really?”
“It’ll be great. Jane will think
you’re a budding feminist.”
“I am a budding feminist.”
I patted his knee. “Good for you.”
I was on a roll that week – Mike
Henderson’s case came together the next day.
Pat Folger called to tell me he had
found squatters in one of the houses he did caretaking for. The illegal tenants
were brothers from Ecuador who worked for Quidnet Land Design, one of the
biggest gardening firms on the island. Pat knew I was interested in squatters
and their stories. These three had been evicted from Bob Bulmer’s house on
Essex Road. The area was known for its barracks-style housing, with as many as
twenty people crammed into three or four bedrooms, all paying a thousand
dollars a month for the privilege of heat, running water and a roof over their
heads. It was a great deal for the landlord, though.
So why would Bulmer have evicted
them?
Maybe he had an even more profitable
venture going. Maybe he needed the space for storage.
But how to find out? I decided to
reverse the tactic I had shared with Tim. Bulmer’s barracks housing scheme was
illegal, but fairly common, and we cracked down on the worst offenders from
time to time. Bob knew he got a free pass from the town because of his law
enforcement position. But that was going to change. I called Paul Higgins, our
Building Inspector, and he agreed to make a surprise visit to the Essex Road
house, looking for safety violations or an overtaxed septic system.
I’d be there to check out the real
crime.
Bob had no idea I suspected him of
anything beyond some building code violations and so he was happy to give us a
tour of his now-empty house.
I found Jane’s fore-edge books
prominently displayed on the mantel, between two of her sitting-dog bookends.
Bob waved a pudgy hand around the
living room. “No illegal tenants! Are we good?”
I hefted one of Jane’s books. “I’m
good, Bob. But you’re busted.”
When I told Jane the story later that
night she said “Bullmer, ugh. I think he was rifling through my photographs,
too. They’re all in different order now.”
“Does it bother you? Him seeing, you
know -- the uncropped versions?”
She shrugged. “A little. But what the
hell. Boys will be boys.”
“Right you are.”
I remembered my boy, as we sat by the
water tower, his face turned away in shame, and thought, you’ll never know how
right.
But that secret was safe with me.